Book Description
Construct an authentic copy of the master builder's celebrated residential classic. Detailed instructions and exploded diagrams enable miniaturists to create a two-foot long replica — complete with balconies, platforms, porch and entrance court.
Customer Reviews:
Ultimately Satisfying.......2004-02-23
If you are even attempting to take on this project, you are likely a fan of Wright's work. It helps to know Wright's style and history. There are some flaws or omissions in the instructions (see ref to part #57 in other review) and one or two errors in the printing. Not for kids or the impatient. As you gain experience the task becomes easier as you are able to anticipate how things will come together. The finished product is very attractive and unique. An inexpensive project for cold, winter nights.
Advanced modeling skills needed.......2002-10-16
Agree with other reviews. Emphasize that this is for an advanced modeler with modeling patience. Card stock is difficult when use to other material. Some of the referenced difficulties may be avoided by careful and thorough scoring. No idea as to the modeling accuracy, but the presentation looks real good. Especially when presented with the book, FRANK LLOYD WRIGHT'S ROBIE HOUSE.
For the Mature Hobbyist.......2001-03-23
If you're a fan of the works of Wright, and have experience with detail oriented hobbies, you will likely find this a challenging but "do-able" project. For example, I've built plastic model kits for over thirty years, and it took me about three and a half months to complete the house, working on the standard hobbyist schedule (i.e. nights and weekends when I felt like it). Be aware that even with careful assembly, the finished product reflects the limitations of card stock - the long, thin pieces (notably, the wall around the front of the house) tend to become a bit wavy when folded and glued. Still, if you have the patience, and are comfortable with the investment of time involved, you'll end up with a nice replica of an architecturally significant home.
Great until you hit piece 57!!.......2000-08-10
I worked diligently according to the instructions but when I reached piece 57 (of 130+ total pieces), I found that the instructions for assembly were wrong, or that the piece was printed incorrectly -- very frustrating experience!
Lots of fun for those long, cold winter evenings.......1999-09-24
This is not a book for young kids, with more than 100 pieces to be cut from the book and assembled, but for those with a steady hand and an Xacto knife, this is a fun way to see some of the detail usually missed in photos of the Robie House.
Customer Reviews:
Excellent for Beginners.......2007-01-07
A great reference book for the beginner, clearly set out into Techniques and Material then a Directory which covers shape and Form - all jewellery styles covered, for Earrigns, Necklaces, Brooches and so on. Also includes some fun Fashion Jewelry, Found Objects and Contemporary Materials. Each section is accompanied by at least 4 full colour photos. i.e. Earrings-Studs, or Earrings-Clips,Earrings-Stone-set or Earrings-Complex. Each has photos to show you what is meant and they are great examples. A mini gallery that is a fabulous resouce.
Customer Reviews:
The Strange Case of William Mortensen.......2003-05-18
This collection of essays and photographs marks the first (and hopefully not the last) serious attempt at reviving and redeeming the nearly annihilated and forgotten reputation of the late American photographer, William Mortensen (1897-1965).
While it is often true that a great artist never lives to see his ship come in, the opposite was true of Mortensen: In the late 1920s through early 1940s, his star was ascending, seemingly without end. Based in Laguna Beach, California, he was photographer to many of Hollywood's most famous, working with such acclaimed figures as Fay Wray, Cecil B. deMille and Marlene Dietrich. While his "pictorialist" style of photography -- painterly and posh, relying on soft-focus and darkroom knowhow to produced luxuriously toned and finished prints -- was favoured by the stars, clearly Mortensen found himself on the wrong side of history when it came to fine arts photography. The new "purist" movement, which celebrated the "straight," unadorned, print and a more documentarian style, was afoot and found no place for the Gothic-inspired Mortensen.
Except that's not quite the way it happened. For the f/64 group, spearheaded by Ansel Adams and Beaumont and Nancy Newhall (of the Museum of Modern Art), it was not enough merely to disagree philosophically with Mortensen. Had they done so, it would have been unlikely that Mortensen would have been forgotten and ignored so during his own lifetime and after his death, for he was something more than just another painterly salon photographer: His compositions were steeped in Gothic and Romantic traditions, his subject matter often whimsical, often bizarre, his style a strange combination of Lorenzo de Bernini, Edgar Allan Poe, Salvador Dali and Maxfield Parrish. Unfortunately for Mortensen, though, his eclectic aesthetic was viewed as bizarre and irrelevant by those hoisting the purist banner.
In his essay, "Beyond Recall," photographer A.D. Coleman -- who is quite sympathetic to the Adams aesthetic -- presents a scathing indictment of Adams and the Newhalls, and their active campaign to completely shut out Mortensen from the elite artistic inner circles. Although he never said so, it is evident from reading these essays that Mortensen died a broken man. Even after Mortensen's death, "Saint Ansel" Adams tried to prevent Mortensen's work from being archived at the Center for Creative Photography at the University of Arizona. Fortunately, for posterity, curator James Enyeart (who, though a friend of Adams) remained objective, and was instrumental in finding a permanent home for Mortensen's artistic legacy.
Sadly, little remains of his artistic output: Most of Mortensen's negaives are missing, whereabouts unknown. He also left few notes or letters. No conclusions can be drawn, but it is strongly suggested that by the time he died Mortensen felt so irrelevant to the history of photography that he never bothered to leave much behind.
However, the authors and editors of this handsome book have constructed a strong foundation on which to rebuild Mortensen's reputation. Michael Dawson's essay "William Mortensen: Gothic Modernist" and "William Mortensen and George Dunham: Photography as Collaboration," by Diane Dillon go a long way in providing a narrative to Mortensen's often quiet and secretive life, and in outlining his artistic method (Dunham's collection of prints, articles and memorabilia filled in many of the gaps in the Mortensen archive).
The book's only shortcoming is that while it has three excellent essays and a bibliography and chronology that put Mortensen's work in context of the greater photographical history of his time, it is a bit short on photographs. There are only about three dozen plates of his work, which -- while representative -- don't really do full justice to fleshing out his life's work. I would have loved to have seen more of his color portraits and nudes.
That said, don't let this stop you from buying this book. The printing is first rate, and so is the treatment of its sorely neglected subject. Admirers of William Mortensen can only hope for a more exhaustive book of photographs to be released in the near future.
Average customer rating:
- Witty and dark
- A Comic Tour-de-force!
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Fred the Clown
Roger Langridge
Manufacturer: Fantagraphics Books
ProductGroup: Book
Binding: Paperback
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Art D'Ecco
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Zoot Suite
ASIN: 1560976101 |
Book Description
Existential clown comedy as you like it.
- SEE! Fred the Clown get slapped regularly in his single-minded pursuit of l'amour!
- HEAR! The screams of his lady friends from several blocks away!
- SMELL! Fred the Clown's scientifically improbable collection of fungal infections!
The signature creation of cartoonist Roger Langridge, Fred the Clown is the thinking man's idiot. Fred has an eye for the ladies, as well as several other organs, but the only part of themselves they're willing to share with him is a carefully placed kneecap...
Fred the Clown's misadventures are a curious balance of bleakness and joyful absurdism; the universe may dump on Fred from a great height, but he never gives up. More often than not, they involve the pursuit of a ladyany lady will do, it seems, but bearded ladies are at the top of the list. Disappointment seems inevitable, and it usually is; yet, almost despite himself, Langridge will occasionally give Fred a happy ending out of nowhere...
Langridge's comics betray a restless stylistic playfulness, a pessimism about human nature, and an absurdist perspective on human folly that can be traced back through Monty Python, The Goon Show and even as far back as Lewis Carroll. Fred the Clown's visual look often harks back to earlier eras, evoking the styles of (among others) Max Fleischer cartoons, classic newspaper strips, 19th-century illustration, the children's books of Maurice Sendak and Doctor Seuss, and more. The sensibility, though, is thoroughly modernno classic style goes unsubverted, no narrative is left without ending in emotional ambiguity or a pomposity-puncturing ironic gag. Underlying it all is Langridge's own meticulous brush style. According to another New Zealand cartoonist, Hicksville creator Dylan Horrocks, "If Samuel Beckett had teamed up with the Goons and learned to draw like Tex Avery, the result would have been something very like the comics of Roger Langridge."
Customer Reviews:
Witty and dark.......2005-11-16
Disturbingly funny, ritchly textured, and fully capable of making you laugh and cry by turns. This book is a love letter to the whole history of comic images.
Within these pages you'll find a funny set of stories, but you'll also see a sly satire of comic artist from the 1890s to today. Each story seems to be done in a different style, by a different fictional artist. Background notes and a false history of Fred the Clown comics give a funny authenticity to these parody styles.
Well worth giving it a try. It's very, very funny.
A Comic Tour-de-force!.......2005-04-27
Without hesitation, I'd easily put Roger Langridge on my short list of the greatest all-around cartoonists alive today. He combines slapstick humor, nimble wordplay, Vaudeville, old-tyme comics and filters it through a modern sensibility (with liberal doses of Monty Python, the Goon Show, and the occasional bit of heartbreak and tragedy thrown in for good measure).
This is required reading for everyone who loves comics, everyone who used to love comics but has given up on them, everyone who's been raised by wolves and doesn't understand the concept of comics and pretty much everyone else who doesn't fit into any of the categories above.
Book Description
This digital document is an article from The Register-Guard (Eugene, OR), published by The Register Guard on January 28, 2005. The length of the article is 1018 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Conversation with a clown: Five minutes with Fred Willard.(Entertainment)(From `Fernwood 2Night' to `Best of Show' to `Anchorman,' he is the brightest of the dim bulbs)
Publication:
The Register-Guard (Eugene, OR) (Newspaper)
Date: January 28, 2005
Publisher: The Register Guard
Page: T13
Distributed by Thomson Gale
Book Description
This digital document is an article from Kliatt, published by Kliatt on March 1, 2005. The length of the article is 323 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Langridge, Roger. Fred the clown.(Brief Article)(Young Adult Review)(Book Review)
Author: George Galuschak
Publication:
Kliatt (Magazine/Journal)
Date: March 1, 2005
Publisher: Kliatt
Volume: 39
Issue: 2
Page: 30(1)
Article Type: Book Review, Brief Article, Young Adult Review
Distributed by Thompson Gale
Product Description
Three books in one: "Clowning for Fun and Profit", "Go to Town as a Magic Clown", and "Working Clown's Handbook".
Book Description
Norma Barzman’s extraordinary memoir, The Red and the Blacklist, fizzes with the wit and energy of the classic Hollywood comedies of the forties. But it is also laced with the fear and claustrophobia found in the forties film noirs, as Norma and her husband Ben Barzman are driven from Hollywood—during the postwar McCarthyite witch hunt—into an emotionally difficult 30-year exile in France. While their hair-raising and amusing adventures continue, Ben battles depression as he attempts to rehabilitate his career, while frustrating Norma’s own aspirations as a writer. She seeks solace in a string of affairs, one of them ending in a pregnancy that she aborts. However, Norma’s passion for life, Ben and her seven children, and her radical instincts, shine throughout this dazzling memoir. 20 black-and-white photographs are included.
Customer Reviews:
Condemned out of her own mouth.......2003-12-04
This book is really not good. I am very interested in the blacklist period and screenwriting - despite the title this book does an awful job of telling you anything about those things.
All you learn about is Norma Barzman herself, and even though you only hear her side of the story, by the middle of her book you come to hate her, condemned out of her own mouth as a self-obsessed hypocrite.
How is she a hyprocrite? She's a supposed "communist" living in luxury in a South of France estate, employing servants to raise her kids.
She's a wife who shags all her loyal husband's friends behind his back.
She's someone who to this day calls herself a screenwriter when she has only one produced screenplay to her name, a 1953 Italian B-movie. She was shagging the friend of her husband who agreed to produce it.
It's a very irritating book, and really is best avoided.
What a phony!.......2003-08-13
This memoir of the alleged struggles of blacklisted, privileged, self-centered writer and adultress Norma Barzman reads like the chore list of some spoiled Beverly Hills trophy wife. Her supposed Communist ideology is all arm's length and she doesn't seem to have suffered at all after being exiled from the U.S. - in fact, as she puts it herself, she had "the time of her life" in France. So what's this drama queen's beef?
Bravo !A Racy and Riveting Read!.......2003-06-29
God, this book is so sexy and thrilling, compared to the other worthy, dull, snoozy blacklist memoirs out there. Ms. Barzman has really lived a very full life and leaves no stones unturned, about her personal and professional frustrations, her life as a commie, her hubby being jealous, the umpteen affairs, her glitzy starstudded life in Hollywood and in Europe...the gossip is worth the price alone, but its much more than that; its fiercly political, feministic...and get this, she's still a political toughie, uncomprising and stilling fighting the good fight! Bravo!
Average customer rating:
- An engaging story of a successful writer and unhappy mother
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Rebecca West: A Saga of the Century
Carl E. Rollyson
Manufacturer: iUniverse
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Binding: Paperback
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The Coming of Age
ASIN: 1583489975 |
Book Description
Rebecca West's wide-range writing career, as a novelist, journalist, travel and history writer and biographer, made her one of the most feted and feared woman of her day. Despite the acclaim she attracted throughout her life, her books were often best sellers, though her work has undeservedly fallen out of fashion.
Rollyson has had exclusive access to West's vast archive of letters, diaries, journals and manuscripts; interviewed her friends and family, many of whom speak out for the first time. He reveals new details about her affairs with H.G. Wells (by whom she had a son); the press magnate, Lord Beaverbrook; the renowned journalist, John Gunther; the Nuremberg judge, Francis Biddle; Charlie Chaplin and others. In a life of extremes, she was seen as a feminist, an evil mother, an ardent anti-Communist, and a gossip. When she died on the Ides of March 1983, aged 90, she was a Dame of the British Empire and had finally made it to the screen in Reds, a heroine of her age.
Customer Reviews:
An engaging story of a successful writer and unhappy mother.......2006-02-06
I really enjoyed reading this book, though I must admit, I think that I would not have enjoyed knowing Rebecca West in person!
This book traces West's life in detail, from her chaotic childhood to her death as a respected literary dame of England, including her relationship with the married H.G. Wells which produced a child, Anthony West. It was her relationship with her son that was the primary drama of Rebecca's life, and was the source of most of her unhappiness, though I can't say that she was a victim of this scenario, but rather a perpetrator of it.
West's father left the family when Rebecca and her two older sisters were young, and it seems that this act of her father's colored the rest of her life with paranoia, insecurity and fear. While West built a name for herself as a critic (critics are those about whom writer Anne Lamott quoted the simile that critics are like those who come on the battle field after the battle has been fought and shoot the wounded) and as a fiction and nonfiction writer extraordinnaire, her private life was upsetting, tumultuous and painful for her and those who knew her due to her intensely unhealthy relationship with her son Anthony. (Did her father's dramatic and painful leavetaking create a personality disorder in the young Cicily Fairfield, her real name?)Though she did have a longterm marriage to a man not her son's father, she felt her own recriminations in this area as well due to her husband's longtime illness, his apparent infedelitites and her dissatisfactions with some aspects of their married life overall.
This book does a wonderful job of, I think, objectively portraying both the power and accomplishment of Rebecca West the writer, and the pathetically sad, cloying, manipulative and bitter Rebecca West, the mother. She is someone about whom one might issue the judgment, "She did the best she could. Unfortunately, her best was unacceptable." But only in the area of her motherhood. In her writing life, her best was beyond expectations.
About her writing, this book is also incredibly illustrative. I was particularly interested in the chapters about her work on Black Lamb and Grey Falcon: A Journey through Yugoslavia, which is one of my favorite books. The level of commitment it took to produce this 1000-plus page book as an amalgam of several trips, using her conversations with her husband as a stand-in for the various arguments about Yugoslavia -- and the world -- that the reader might offer causes the reader of this book to feel sheer and total awe of the labor of which this book was the result . Her other work, her critical articles, her fiction, her books on treason and the Nuremburg trials, were approached in the same complete, exhausting, demanding way. (And the reader deeply wishes her work on Mexico, envisioned by West as being similar to Black Lamb would have been finished.)
Rollyson's book was an incredibly engaging study on the life of a woman whose difficult personality probably made her the effective and insightful critic that she was. Her choice of pen name was probably indicative of who she was, though she perhaps would have been the last to be able to articulate that. Rebecca West was the name of an Ibsen character who was an outcast and was accused of bewitching others...
Rollyson portrays West's excellence as a writer and her failures interpersonally with her son and her grandchildren without bias, and even as the reader can see that West would not have made a good friend, the reader roots for her, hopes for her, and follows her life with high interest and respect. I recommend this book, not only as a portrait of a writer, or of a woman, but of the times in which she lived and how an ambitious woman responded to them, where she succeeded, and where she failed.
Book Description
Authors featured in "STAYING SHARP," nationwide seminars presented by the AARP Andrus Foundation and the Dana Alliance for Brain Initiatives
"Keep Your Brain Young is the ultimate users guide to the brain. Drs. McKhann and Albert, two of the worlds leading authorities on how the brain works, have written a highly intelligent, straightforward, and important book. Take care of your gray matter: buy and read this book. It is a great investment in your future." Â-Â-Kay Redfield Jamison, Ph.D., Professor of Psychiatry, The Johns Hopkins School of Medicine and author of An Unquiet Mind and Touched with Fire
"Guy McKhann and Marilyn Albert are to middle-aged people and seniors what Dr. Spock is to babies and their parents. Keep Your Brain Young is must reading for anyone over 50; it should be on your bedside table." Â-Â-Judy Woodruff, CNN, and Al Hunt, Wall Street Journal
"I highly recommend this readable, informal, and entertaining guide to achieving and maintaining optimum brain functioning as we age. Guy McKhann and Marilyn Albert provide a single, reliable, comprehensive guide to the changes we all can expect as we enter the second half of life. Best of all, their sound advice, tinctured with generous doses of hope and encouragement, provides an effective antidote against a Â`gloom and doom attitude toward aging." Â-Â-Richard Restak, M.D., coauthor of The Longevity Strategy: How to Live to 100 Using the Brain-Body Connection and author of The Secret Life of the Brain
"For the first time, the authors have presented an interesting and understandable scientific explanation of mind/body function as we get older. This book explains how memory may fade with age without the loss of intellect, and how to assist nature in maintaining such function." Â-Â-Eunice K. Shriver, Executive Vice President of The Joseph P. Kennedy, Jr. Foundation and Founder and Honorary Chairman of Special Olympics, Inc.
Customer Reviews:
rad combo.......2003-06-01
fitting fitness in and keep your brain young
No brainer.......2002-11-17
Too simplistic. The information is very common knowledge. It was a waste of time.
Keep Your Brain Young.......2002-04-03
This is a smart and important book -- it's taught me a lot about how my brain functions and the ways to keep it in top shape as I age.
Keep Your Brain Young.......2002-04-02
This book will soothe anyone who is facing the natural aging process. Most people probably don't think they have any control over the way their brain functions, especially as one ages. However, if you read this book, you'll receive amazing information on how to reduce risk for diseases, recognize symptoms, and general information on your brain. There are even exercises you can practice, to help you "keep your brain young." The authors are clearly experts in their field.
Book Description
Struggle for the Heartland tells the story surrounding the military campaign that began in early 1862 with the advance to Fort Henry and culminated in late May with the capture of Corinth, Mississippi. The first significant Northern penetration into the Confederate west, this campaign saw the military coming-of-age of Ulysses S. Grant and offered a hint as to where the Federals might win the war. For the South, it dashed any hopes of avoiding a protracted conflict. Stephen D. Engle colors in the details that bring great clarity and new life to the scene of these battles as well as to the social and political context in which they occurred.
Customer Reviews:
Provides Balanced Military, Social, and Political Coverage.......2007-01-11
Stephen D. Engle's Struggle for the Heartland takes the latest scholarship on "the campaigns from Fort Henry to Corinth" and ties the military, political, and social issues faced during the campaign into an efficient and readable discussion of these events. The book is an entry in the University of Nebraska Press' Great Campaigns of the Civil War series of books. The book covers the time frame of the military campaign from Fort Henry to Corinth, including the Battle of Shiloh. Rather than focusing solely on military events, however, Engle provides a large amount of coverage to social and political considerations as well. The result, then, is a balanced overview of a campaign in which there was a "struggle for the heartland" of the Confederacy.
Northern military planners saw the obvious routes of attack into the Confederate "heartland" region provided by the Tennessee and Cumberland Rivers. It was simply a matter of preparing the armies to move in this direction, at least according to timid, methodical minds such as Henry Halleck and Don Carlos Buell, the two department commanders in the west. Albert Sidney Johnston, the overall Confederate commander in the west, gave wide latitude to his subordinates. One of these, Bishop Polk, had become obsessed with defending Columbus, Kentucky along the Mississippi River and virtually ignored the forts on the Tennessee and Cumberland to the east, even though they were in his department. The Union preparation may have taken quite a long time if not for the aggressive nature of Halleck's then unknown subordinate Ulysses S. Grant. Grant was determined to take Forts Henry and Donelson, defenders of the Tennessee and Cumberland Rivers, respectively. His movement south caught both Halleck and Buell somewhat by surprise. The end result was that Grant managed to take both forts and capture over 10,000 Southern prisoners while Halleck and Buell haggled over cooperating in the expedition. As Grant's Army of the Tennessee rested and refitted along the Tennessee River south of the now captured forts Buell was to march his army southwest to meet them. Continued arguments between Halleck and Buell coupled with Grant's complacency at his Pittsburg Landing camp almost ended in disaster at the Battle of Shiloh. While Buell slowly marched toward the Tennessee River, Johnston and his subordinates had been busy at Corinth trying to recover the large amount of territory lost to Grant at the forts. The Battle of Shiloh prematurely ended these hopes as Grant's army was able to recover from their shock at being attacked and hold on as Buell's Army of the Ohio reached the field of battle. Johnston was killed and Beauregard, his second in command, was forced to retreat to Corinth. At this point in the campaign, Henry Halleck managed to obtain sole command of the armies in the West, and he gathered the armies of Grant, Buell, and Pope (fresh off a victory at Island No. 10 on the Mississippi) for a laborious advance on Corinth, the most vital railroad crossing in the Confederacy. The ending to this large campaign was anticlimactic, as Beauregard was forced to retreat due to poor water and increasing sickness in his army. Halleck had taken Corinth and cleared the Confederate Heartland of Southern armies. These military campaigns had seen great change in the way the North would prosecute the war, with important consequences.
Engle focuses quite a lot of time and energy to explaining how the large increase in the amount of Confederate territory controlled by the Union led to changes in the initial "soft war" policy espoused by the Lincoln Administration. Before Grant sailed south on the Tennessee to assault Fort Henry, Union armies were typically restrained and respectful when it came to the treatment of Southern civilians. No one better personified this idea than the commanders currently in charge of Union affairs: George B. McClellan as General In Chief with Henry Halleck and Don Carlos Buell as department heads in the West. These men were all democrats, and they believed in a war that would not upset the status quo. In other words, they wanted to leave the slavery issue alone, instead trying to treat Southerners well and return their slaves in the hope that they would come quickly and quietly back into the Union. The campaigns from Fort Henry to Corinth showed that this soft war policy was not practical. Southerners continued to resist even when treated well, and guerilla forces sprung up where Confederate armies were unable to hold territory in a conventional manner. Soldiers from privates to generals also began to see the difference between poor white subsistence farmers and wealthy slave owners, eventually blaming the institution of slavery as the primary cause of the war. These troops began to resent orders such as Buell's General Orders 13a, which prevented foraging, returned runaway slaves, and otherwise treated Southerners with kid gloves. Men such as division commander Ormsby Mitchel began to take matters into their own hands, and eventually the government agreed with this "hard war" course of action. Ironically, writes Engle, the Union push into Confederate leaning western and central Tennessee only hastened the Union policy change. If Buell had instead invaded Unionist eastern Tennessee, per Lincoln's wishes, this soft war policy may have continued long past June 1862.
The Union war effort in the west was plagued with bickering among its top commanders, writes Engle. Partly to blame was the unwieldy command structure. Don Carlos Buell's Department of the Ohio and Henry Halleck's Department of Missouri joined together at the Tennessee River, precisely where the easiest avenue of attack into the Confederate Heartland was located. This naturally enough caused great friction between the two men, both of whom always proceeded cautiously and believed their own opinions were correct on military matters. McClellan and Lincoln did not help matters in Washington, instead simply ordering the two men to cooperate. While they bickered over who should move first and along what lines, Grant seized the initiative and moved, catching both men by surprise. Buell still refused to send much help and almost literally warned Halleck not to fail. Grant's attacks succeeded, and the next logical move was to concentrate on the Tennessee for a move against Corinth. This time Buell did finally move, but he managed to take his time. Luckily for Grant, Army of the Ohio division commander "Bull" Nelson marched forward rapidly and was available late on the first day at Shiloh. The command friction between these two men only ended when Halleck managed to persuade Lincoln and Secretary of War Stanton that the West needed one commander.
Halleck also had his problems with Grant. Grant's victories at Fort Henry and Fort Donelson made Halleck jealous, and he childishly reacted by removing Grant from command on trumped up charges of drunkenness and Grant's failure to be present with his army when the Confederates launched an attack at Fort Donelson. Lincoln and Halleck, impressed with the aggressive Grant, and especially when they considered the conservative Halleck and Buell, lost no time in forcing Halleck to reinstate Grant. After Shiloh, Halleck again removed Grant from command of the Army of the Tennessee, bumping him up to the meaningless and superfluous "second in command" position during the advance on Corinth. Despite these and other quarrels, the Northern armies were able to force the Confederates from a large portion of the territory they held at the beginning of 1862.
Much of the Southern failure to hold this territory has to do with Jefferson Davis' utter lack of concern for the West. The roots of this attitude can be traced to the appointment of Albert Sidney Johnston to command in the West. Johnston was Davis' friend, and Davis believed him to be the finest general the Confederacy had. Davis left Johnston with very little men and materiel to work with, and as a result he had far too few men with which to defend a far too long defense line running from the Appalachians to the Indian Territory. To make matters worse, says Engle, Johnston frequently gave his subordinates far too much latitude in defending their various districts. This came back to haunt Johnston when General Polk became obsessed with defending Columbus, Kentucky, spending very little time preparing Fort Henry and Fort Donelson. Grant's quick strike caught the Confederate generals by surprise as well, and Johnston decided not to fight for Fort Donelson, in effect abandoning middle Tennessee and the capital at Nashville. This loss of large amounts of territory shocked and angered many Southerners, and Davis finally consented to send Johnston reinforcements. Johnston and Beauregard attempted to regain the lost territory with a surprise attack at Shiloh and failed, costing Johnston his life in the process. Beauregard was subsequently unable to hold Corinth in the face of a large Union force, poor water, and increasing sickness in his command.
Despite these Union successes, the Northern Generals did not typically take the political concerns of the Lincoln Administration into account in their military planning. The main case in point for the time frame of this book, according to Engle, concerns Lincoln's desire to liberate Unionist leaning, mountainous eastern Tennessee from Confederate rule. Lincoln knew that this area centered on Knoxville, Tennessee would more readily come back into the Union than the other flatter, slave holding sections of the state. Buell repeatedly refused to advance in this direction (at the same time refusing to cooperate with Halleck), claiming bad roads and numerous other reasons for delay. Buell also clashed with the Lincoln appointed military Governor of Tennessee, Andrew Johnson. Johnson was a Radical Republican, and he wanted southerners punished for their treason. He and Buell held violently opposite views on the prosecution of the war, and they would clash for as long as Buell held command of the Army of the Ohio.
Struggle for the Heartland is one volume of many in the Great Campaigns of the Civil War Series, published by the University of Nebraska Press. Series editors Anne J. Bailey and Brooks Simpson write that the series "offers readers concise syntheses of the major campaigns of the war, reflecting the findings of recent scholarship. The series points to new ways of viewing military campaigns by looking beyond the battlefield and the headquarters tent to the wider political and social context within which these campaigns unfolded..." In addition to exploring strictly military events from February to June 1862 along the Tennessee, Cumberland, and Mississippi Rivers, Struggle for the Heartland takes a deeper look at the political and social issues as well, weaving all of these together into a cogent whole.
The eight maps are functional, but the battle maps do not add considerably to the discussion. The notes are mostly secondary sources, but in this case it is acceptable since the book's primary purpose is to bring together a syntheses of the latest findings on this subject. I suspect that the other books in this series follow this mold as well. Rather than a bibliography, we instead get a "Bibliographical Essay" of several pages. While I typically favor a standard bibliography, the focus and goals of this series make this essay perfectly acceptable under the circumstances. The index is rather bare bones as well, but serves its purpose.
Struggle for the Heartland is a well written summary of the campaigns from Fort Henry to Corinth, giving readers used to a military-only approach to the Civil War a look into the political and social aspects of of the war tie into and guide military thinking. Engle's book is a fine example of "New Military History", and one which should serve to enlighten quite a few students of the war used to standard military history approach to a campaign. I do not want to imply that this book supplants those focusing on specific battles, such Benjamin Franklin Cooling's work on Forts Henry and Donelson or Larry Daniel's and Wiley Sword's studies of Shiloh. Instead, Struggle for the Heartland supplements traditional campaign studies and ties together strategic, political, and social concerns across a large area and span of time. I would recommend this one to those readers less interested in the military tactics of the battles themselves who are instead looking to study other aspects of the war. The book also serves as a fine primer for those students of military history looking to decipher how political and social aspects of the conflict moved and shaped military campaigns.
For Civil War buff reading lists.......2002-05-07
Struggle For The Heartland: The Campaigns From Fort Henry To Corinth by Stephen D. Engle (Professor of History, Florida Atlantic University) relates the Civil War campaign that began in early 1862 with Union penetration under General Ulysses S. Grant into the Confederate held west that culminated with the Northern capture of the Southern defended town of Corinth, Mississippi. Historian Stephen Engle also examines how prewar economic relations formed in this region, how relationships between locality and loyalty were developed and expressed, the commanders on both sides of the conflict, as well as other civil and military authorities. Engle also describes the campaigns' significance within the larger theater of war and the post-war era of Reconstruction. The Struggle For The Heartland is an informed and informative contribution to Civil War Studies and an enthusiastically recommended contribution to academic reference collections, as well as Civil War buff reading lists.
A superb contribution to Civil War studies........2002-03-29
Struggle For The Heartland: The Campaigns From Fort Henry To Corinth by Stephen Engle (professor of history, Florida Atlantic University) is the exhaustively researched, in-depth story about the military campaign that was the first significant Northern advance into the Confederate west. This campaign crushed all hopes the South had for avoiding a protracted battle, and set the stage for a grim and bloody war of attrition. Highly recommended for Civil War studies reading lists and reference collections, Struggle For The Heartland is an alternately fascinating and disturbing portrayal of a pivotal aspect of American military history.
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This digital document is an article from Journal of Southern History, published by Southern Historical Association on August 1, 2003. The length of the article is 510 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
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Title: Struggle for the Heartland: The Campaigns from Fort Henry to Corinth.(Book Review)(Brief Article)
Author: John D. Fowler
Publication:
Journal of Southern History (Refereed)
Date: August 1, 2003
Publisher: Southern Historical Association
Volume: 69
Issue: 3
Page: 707(2)
Article Type: Book Review, Brief Article
Distributed by Thomson Gale
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This digital document is an article from The Historian, published by Thomson Gale on June 22, 2006. The length of the article is 571 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Struggle for the Heartland: The Campaigns from Fort Henry to Corinth.(Book review)
Author: M. Philip Lucas
Publication:
The Historian (Magazine/Journal)
Date: June 22, 2006
Publisher: Thomson Gale
Volume: 68
Issue: 2
Page: 341(2)
Article Type: Book review
Distributed by Thomson Gale
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Dietmar Tanterls Schwerpunkt bilden seine architekturbezogenen Arbeiten mit Licht. Er setzte u.a. Arbeiten mit Architekten wie Günther Domenig, Kurt Ackermann, HPP und Peter Schweger um. Der Lichtkünstler geht in seiner Arbeit grundsätzlich davon aus, dass zeitgenössische Kunst keine Verweisfunktion mehr besitzt. Alle Elemente sind im Kunstwerk selbst zu finden, auÃerhalb sind keine für das Werk relevanten Inhalte. Das somit selbstreferentielle Werk wird dadurch selbst zur Wirklichkeit. Tanterls Medium sind Räume und Lichtsituationen. Der Betrachter kann selbst erfahren, ob und wie sich Räume durch seine Interventionen anders erleben lassen oder sogar scheinbar Gesichertes widerlegt wird.
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