Window Art Deluxe Refill Set (Klutz)

Product Description

Age: 8,9,10,11,12,13,14,15,16 Manufacturer: Klutz

Customer Reviews:

Great Fun.......2007-08-09

My kids (10 and 6 yrs old) had great fun with this. So did I. Our sun catchers that we made with the product have been on our kitchen windows for almost two months now. This is a great product for harnessing a child's creativity, whether you use the enclosed stencils or make your own drawing free-hand.

This kit works great!.......2007-06-13

My daughter has made a large variety of window clings for herself and several other people. The refill has a nice selection of colors. Including 2 bottles of black outlining paint is very helpful.

Lots of fun........2007-05-14

This along with the book is a great item. The book has great pictures to trace on a plastic sheet, and then peel off when dry. They really come out beautiful. I do after-school care and the kids have made some beautiful work. It sparkles on my glass window in the front of my house like stained glass. They have even done some of their own great pictures. Highly reccommend. I bought this refill item because they used it so much. I just ordered a second one.

Klutz Window Art.......2007-04-04

Great colors, a lot of fun, cheaper than from Klutz directly, recommend having the book first.

Well.........2007-03-23

This was really good for kids. My daughters went nuts..its a very good way to fill an afternoon. They create anything they want, let it dry, and have a decoration for their windows. My house is now filled with them on every window in the house, it is truly a work of art. I recommend it! its also fun for parents.

Customer Reviews:

A Different Way of Viewing.......2003-03-05

What a gem this book is! This is certainly an area of photography unexplored by most. Though I've loved photography for decades, until I found this book I hadn't given much thought to women of color who photographed. When I think of difficulty that women such as Gilpin and Cunningham had in simply supporting themselves in the early days, how must it have been for these women, seemingly doubly handicapped!

One must respect the difficulty Mrs. Ashe encountered trying to uncover so many of the more obscure figures. My favorites were the women who operated commercial photographic studios, taking all types of 'hack' photography. Of course, we have now come to respect that type of photography as a form of documentary work, and some of these women did it beautifully. 'Tex', the military photographer, was another favorite.

Regardless of who you may find as a favorite of yours, as a work en toto this is a superb addition to any fan of photography.

A gem of a book! A " must read" for all photographers!.......1999-06-22

My extensive search for a book on Black women photographers led me to this gem of a book. "Viewfinders" presents an historical perspective of the amazing Black women who were pioneers in photography. I learned about Eslanda Robeson, Elizabeth "Tex" Williams, Adine Williams, etc.-- women who inspired me (a Black woman) to become a professional photographer in a field dominated ny men. The book's bio-bibliography is an added "plus" because it lists the cities where the Black women photographers resided. "Viewfinders" is a great "coffee table" centerpiece and a "must read" for amateur and professional photographers. Kudos to Jeanne Moutoussamy-Ashe!!

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Viewfinders: Black Women Photographers
Jeanne Moutaussamy-Ashe , and Jeanne Moutoussamy-Ashe
Manufacturer: Dodd Mead
ProductGroup: Book
Binding: Hardcover

General | Photography | Arts & Photography | Subjects | Books
ASIN: 0396086098

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Viewfinders: Black Women Photographers
Jeanne Moutoussamy-ashe
Manufacturer: Writers & Readers Publishing
ProductGroup: Book
Binding: Paperback
ASIN: B000N6546G

Book Description

Tall, narrow cartoon cards were the new big thing in greeting cards in 1958. When Hallmark Cards was printing official Christmas cards for President Eisenhower, the Eisenhowers asked Hallmark to also create a funny studio card that they could send to a few close friends. If you have one of the 200 cards that has a personal lip print (Mamie's) and a personal thumb print (Dwight's), you have a valuable collectible piece of cartoon art. And other studio cards from the 1950s and 1960s may become collectibles.

Studio cards began in the 1940s in art studios in New York's Greenwich Village. A company called Panda Prints published the first humorous studio cards in 1947, and soon there were many small companies following that path. The major greeting card companies (Hallmark, American Greetings, Rust Craft, Norcross and Gibson) began publishing studio cards in 1956 and then the public general became aware of them. Hallmark named their cards Contemporary Cards, and American Greeting named theirs Hi Brows.

Studio cards flourished into the 1980s and then became extinct in the 1990s, or perhaps it is more accurate to say that studio cards morphed into alternative humour greeting cards. When Hallmark and American Greetings discontinued the tall cards, their cartoonists easily moved into creating the cartoon cards you see in stores today. Hallmark calls theirs "Shoebox", and American Greetings call theirs "Just My Style".

Dean Norman joined the Hallmark staff in 1956 a few months after their studio cards line was launched, and moved to American Greetings to draw Hi Brows cards from 1960 to 1990. His book, STUDIO CARDS...Funny Greeting Cards and People who Created Them is a collection of humorous stories about these writers and artists.

The major companies hired young people out of college and art schools, and rarely gave them bylines or signatures on their work. Some of them worked for a career in greeting cards, and you may have never heard of them although you may have bought and sent many of their cards. Some moved into other fields of humour, and you may have heard of them. Mort Walker, creator of Beetle Bailey. Paul Coker, a Mad Magazine cartoonist. Phil Hahn and Jack Hanrahan, writers for Rowan & Martins Laugh-In TV series. Tom Wilson, creator of Ziggy newspaper cartoon feature. Russell Myers, creator of Broom-Hilda comic strip. Robert Crumb, underground cartoonist featured in the documentary film titled Crumb. Herb Gardner, author of Broadway plays I'm Not Rappaport and A Thousand Clowns.

Over 150 writers and artists are featured in the book, with illustrations from cards published by Hallmark, American Greetings, Panda Prints, Box Cards, Nellie Card Co., Bernad Creations, Dale Enterprises, Country Cousins, Comicana, Joy&Cheer and other cartoon art by the illustrators of studio cards. Also tossed into the mix are some funny stories about the CEO's of Hallmark and American Greetings, Joyce C, Hall and Irving Stone. Studio cards were funny, and not surprisingly, so were the people who created them.

Review from the Cleveland Free Times

My Life & Card Times : Looking back at the era of funny greeting cards By Pamela Zoslov. Wednesday, March 10, 2004

SEATED IN the living room of his cozy West Side home, Dean Norman reflects on how he became a cartoonist. "My dad was an accountant. He had to add figures all day. I thought, I could draw funny pictures ! That would be so much more fun than sitting at a desk." A teenager growing up in Cedar Rapids, Iowa, Norman signed up for a mail-order cartooning course, hoping to someday become a magazine or comic-strip artist.

"I never dreamed of doing greeting cards," says Norman, now 70 and retired from a 30-year career working for the two greeting-card giants, Hallmark and American Greetings. By the time he graduated from the University of Iowa in 1956, general-interest magazines like The Saturday Evening Post, Look and Collier's were folding, and the once-lucrative market for freelance cartoons was drying up. Fortunately, executives at Hallmark spotted a cartoon series Norman drew for his college newspaper, and offered him a job. "I kept thinking someday I'd break into newspapers. I never did," he says, laughing.

Norman came into the industry at an interesting time. Greeting cards, once limited to sentiments like "Pansies always stand for thoughts/At least that's what folks say,/So this just comes to show my thoughts/Are there with you today" (one of Hallmark's all-time best-sellers) were beginning to reflect the subversive Cold War humor of the 1950s. Comedians like Mort Sahl, Bob Newhart, Ernie Kovacs and Lenny Bruce, and publications like Mad Magazine, were lampooning the uptight post-Sputnik culture with irreverent, sardonic humor. Hallmark, the very traditional Kansas City company that practically invented the greeting card, created its Studio department to tap into the emerging zeitgeist. They hired creative, offbeat artists and writers to produce funny cards with a modern twist.

The new Studio line (later called Contemporary) was an instant success. Before Studio cards, people bought greeting cards only for specific occasions; now they were buying them because they made them laugh. "They were so funny that people just wanted them," Norman says. "So that fueled a lot of growth."

Many of that generation's best and brightest launched their careers in the greeting-card business. Paul Coker, known for his kinetic illustrations for Mad, drew countless memorable cards for Hallmark. Robert Crumb, before moving on to underground-comics fame, produced finely detailed drawings (while lusting after heavyset female colleagues) as a staff artist for American Greetings' Hi Brows line. Tom Wilson headed the Hi Brows department before launching Ziggy . New Yorker cartoonist William Steig, Beetle Bailey creator Mort Walker and playwright Herb Gardner all penned cartoons for greeting cards.

Norman is now the unofficial Boswell of the crazy creatives who changed the business in the 1950s and 1960s. His new book, Studio Cards: Funny Greeting Cards and People Who Created Them (Beaver Creek Features) chronicles the rise and fall of this unique segment of the industry, with ample illustrations and amusing reminiscences by Norman's former cohorts. Those of a certain age may already have some of the most popular images burned into their memories: the bleary-eyed gent raising his top hat to reveal a birthday candle melting on his head; the morose man stretching his mouth into a wide grin, with the legend "Keep Smiling."

The new cards also allowed for a more risqué brand of humor. "People would have to explain to the clerk why they were buying the card," Norman says. "They'd say, 'I don't know anybody I could really send this to, but it's so funny'." Hallmark founder and president J.C. Hall, who had to approve all the cards, frowned on anything that could be considered in bad taste. "The only reason Contemporary Cards got some suggestive humor was that [Hall] didn't get the jokes. He didn't like the Studio cards. He thought the people buying them were a bunch of beatniks and lunatics."

After retiring from American Greetings in 1990, Norman began to think about capturing the Studio experience in a book. "It was such a crazy time, and I kept thinking that someday, somebody would write about this. We were all getting older, and about two years ago, I realized nobody's gonna do this." He wrote up his reminiscences and called on his former colleagues to send him their stories. "And more and more stuff kept pouring in, until I had a fairly good history."

Unable to find a publisher willing to even look at his manuscript, Norman decided to go the self-publishing route, investing his own money to have the book printed. "I figured even if I didn't sell any books, I can afford it; I'm retired now. I may lose [money], but no one else is going to write this book. And the people I write about are so pleased to have the stories told."

Some of the funniest tales center on the stifling working conditions at Hallmark's editorial department in the early '50s. The department was headed by a humorless ex-salesman, whose strict rules forbade the writers to do any of the following: talk; read anything except greeting cards and a rhyming dictionary; laugh or make loud noises; smoke, eat or drink at their desks; or disagree with the boss. Not surprisingly, the writers found ways of subverting the rules: one woman took to yelping like a dog to break up a boring afternoon (she was such a refined person, the boss never suspected her).

Norman started out in that buttoned-up department, writing verse for traditional cards. "They would hand you an assignment to write a sympathy card. You can only use about 12 words: 'thinking about you in your sorrow,' things like that. You'd rearrange that and turn it in." After a year in editorial purgatory, he transferred to the Contemporary department, where he worked for three years before being lured away by American Greetings.

For a time, Studio cards made greeting cards cool. Customers would flock to the card shops every week to laugh at the new releases. After a while, the companies stopped producing new jokes, opting to save money by reprinting their best sellers. Tastes changed; in the 1970s, consumers turned to Soft Touch greetings and alternative-humor cards. "They lost the novelty value," Norman says. "Now, if people want something strange, they can make their own cards on the Internet.

"It's no longer a show. It's not entertainment. And I don't know if they can ever get that back."

Customer Reviews:

Consarned Whippersnappers!.......2004-06-09

All those young, dirty, disrespectful beatnicks thought they were God's gift to American humor. Well, I've got a message for them: I didn't die laughing! (Although I DID die.)
J.C. Hall, Beyond The Grave, Neb.

Book Description

Clever repartee, double entendres, punch lines and many other variations of humor have been a staple of movie dialogue since the advent of talkies. Collected here are over 4,000 of the best comedic lines from the movies. The compilers of this book have tried to bring together some of the funniest, wittiest and most outrageous snatches of dialogue on film over a sixty year time period. For each entry the authors set the quotation in context, provide the name of the actor or actress, the name of the movie and the year of release. The quotations are arranged by a broad range of categories, such as politics, food and eating, gambling, and many others. A title index and a name index follow the body of the book.

Book Description

This digital document is an article from Early Modern Literary Studies, published by Matthew Steggle on September 1, 2002. The length of the article is 1966 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Review of The Body in Late Medieval Culture and Approximate Bodies.(Book Review)
Author: Margaret E. Owens
Publication: Early Modern Literary Studies (Refereed)
Date: September 1, 2002
Publisher: Matthew Steggle
Volume: 8 Issue: 2 Page: NA

Article Type: Book Review

Distributed by Thomson Gale

Book Description

Throughout most of the 20th century, Argentina had one of the largest, strongest, and most militant organized labor movements in the Western Hemisphere. While the roots of the labor movement can be traced to colonial times and the craft guilds of that era, European immigrants, particularly from Italy and Spain, who were political refugees from the unrest of the mid-19th century were key to the development of the Argentine labor movement. During much of the late 19th century, the labor movement was predominantly under anarchist influence, although during and after World War I, syndicalists, Socialists, and Communists emerged as the predominant political influences in the trade union movement. The military coup d'etat of 1943 drastically altered the nature and size of Argentina's organized labor as Juan Peron sought to utilize labor as a principal support--along with the armed forces--for the regime. During the nearly 18 years following the overthrow of Peron in 1955, the organized workers remained loyal to the fallen dictator. Peron returned to power in 1973 with the overwhelming support of the Argentine working class. After his death, the Peronista regime was again overthrown early in 1976 and a brutal seven-year military dictatorship sought to undermine organized labor. By and large successive governments have followed a similar strategy. The "privatization" of much of the state-owned sector of the economy and "opening up" Argentina's economy to foreign competition have greatly weakened the country's labor movement. Utilizing his personal contacts as well as extensive written materials, Alexander has produced a study that will be of great use to scholars, students, and researchers involved with the history and current state of labor in Argentina and the Latin American world in general.

A History of Organized Labor in Argentina

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A History of Organized Labor in Argentina
Robert Jackson Alexander Rodney Wallis
Manufacturer: Praeger Publishers
ProductGroup: Book
Binding: Paperback
ASIN: B000ORNVAU

Book Description

Between the first Jacobite rising in 1689 and the final collapse of the cause in 1746, the hopes of the House of Stuart were centred chiefly on Scotland. It is often wrongly assumed that the Jacobite rebellions were a contest between England and Scotland. In fact many Lowland Scots share the feelings of the English, and had cause to hate and fear their fellow countrymen in the Highlands. Thus it was to the Highland clans that the Jacobites looked to for their most reliable manpower. In this book Michael Barthorp details the events of the Jacobite rebellions, and the organisation and uniforms of the forces of both sides.

Customer Reviews:

Amazon needs to correct their item numbers.......2007-09-13

I would like to be able to review this, but I never did receive the correct book. After receiving the incorrect item, I reordered the original, only to receive the same incorrect book. I think they must have their numbers mixed up.

Wrong Item sent Twice.......2007-08-23

There seems to be something wrong with the coding of this item in their system, because they've sent me the wrong item twice - the same wrong item each time. Instead of the Jacobite Rebellions 1689-1745, they've sent the British Army at War 1914-1918.

The Jacobite Rebellions.......2007-02-21

Great artwork, very interesting accounts of battles etc... A good deal, especially considering the price.

So what was under their kilts?!.......2007-01-23

It is considerably easier to visualize what happened at the Battle of Culloden if you have information on what was worn by the participants. The differences between the well-uniformed and armed English and the highly individualized Scottish clans foretell the eventual outcome. The illustrations are copious, clear and fascinating. There is even a fine explanation of exactly how a Scottish kilt is put on - to do it the traditional way requires the wearer to lie on the ground! Even from a strictly aesthetic vantage point, the variety, color and design of the uniforms and clan garb are revealed to be as fantastic and splendid as anything in the Bird Kingdom. The illustrations are worth repeated visits to check on details missed the first couple of times around!

Very nice little volume.......2004-08-01

A very nice little volume enhanced to no end by absolutely brilliant colour plates.

The meat of this book is the text, illustrated almost completely with contemporary paintings and etchings made during the period covered by the book. The first few pages are dedicated to a detailed chronology of the rebellions, followed by a description of the Jacobite forces (with info on the cause itself, the makeup of Highland society, weapons in use at the time (with photos of museum artifacts to support this info), and a brief order of battle of one Jacobite force that took to the field in this period), a look at the Government forces (focussing on the political makeup of the United Kingdom at this time, the organization of the Army, armament in use, and a survey of Regiments that saw action at this time). A final section on uniforms is well done, and augmented by the final section on captions to the colour plates.

The book is obviously only a brief overview, but the colour plates go far in bringing the subject to life - much further than most other treatments of this subject that rely on contemporary art, or simply text, to describe the subject. There is no deeper analysis of such things as rank structure of the British Army, feudal law, Highland recipes etc. just a nice concise history and glimpse at how the combatants dressed and were equipped.

Great starting point, and Embleton's artwork alone is worth the price - very clear, almost photo realistic depictions of soldiers of both sides, in realistic yet not overpowering settings. Probably the best faces of any of the many talented artists in Osprey's stable. The difficulties of rendering tartan cloth have also been well overcome.

Can't think of a single improvement to suggest for a book with the obviously limited intended scope of this one.

The rising of 1745,: With a bibliography of Jacobite history 1689-1788, (Scottish history from contemporary writers, no. III)

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The rising of 1745,: With a bibliography of Jacobite history 1689-1788, (Scottish history from contemporary writers, no. III)
Charles Sanford Terry
Manufacturer: D. Nutt
ProductGroup: Book
Binding: Unknown Binding

Book Description

What does it mean to be an American, and what can America be today? To answer these questions, celebrated philosopher and journalist Bernard-Henri Lévy spent a year traveling throughout the country in the footsteps of another great Frenchman, Alexis de Tocqueville, whose Democracy in America remains the most influential book ever written about our country.
The result is American Vertigo, a fascinating, wholly fresh look at a country we sometimes only think we know. From Rikers Island to Chicago mega-churches, from Muslim communities in Detroit to an Amish enclave in Iowa, Lévy investigates issues at the heart of our democracy: the special nature of American patriotism, the coexistence of freedom and religion (including the religion of baseball), the prison system, the “return of ideology” and the health of our political institutions, and much more. He revisits and updates Tocqueville’s most important beliefs, such as the dangers posed by “the tyranny of the majority,” explores what Europe and America have to learn from each other, and interprets what he sees with a novelist’s eye and a philosopher’s depth.
Through powerful interview-based portraits across the spectrum of the American people, from prison guards to clergymen, from Norman Mailer to Barack Obama, from Sharon Stone to Richard Holbrooke, Lévy fills his book with a tapestry of American voices–some wise, some shocking. Both the grandeur and the hellish dimensions of American life are unflinchingly explored. And big themes emerge throughout, from the crucial choices America
faces today to the underlying reality that, unlike the “Old World,” America remains the fulfillment of the world’s desire to worship, earn, and live as one wishes–a place, despite all, where inclusion remains not just an ideal but an actual practice.
At a time when Americans are anxious about how the world perceives them and, indeed, keen to make sense of themselves, a brilliant and sympathetic foreign observer has arrived to help us begin a new conversation about the meaning of America.

From the Hardcover edition.

Customer Reviews:

Nice surprise........2007-04-16

The book is very well written, concise and not not becoming destructed by theoretical excursions. The fact that philosophy ala BHL is not ex cathedra discurse but field research gives freshness and sharp observations to the reader. Avoiding to polarize between "uncivilized americans" and civilized europeans credits BHL with objectivity and wide spectrum of participation from every day life up to intellectuals, politicians and even Hollywood opinions. Good contribution to bridge the gaps of recent years between USA and Europe away from chronical antiamericanism syndrom

A star French dilletante publishes his little travel notes?.......2007-04-13

For the best review of this one, check the NY Times.

"You meet Sharon Stone and John Kerry and a woman who once weighed 488 pounds and an obese couple carrying rifles, but there's nobody here whom you recognize. In more than 300 pages, nobody tells a joke. Nobody does much work. Nobody sits and eats and enjoys their food. You've lived all your life in America, never attended a megachurch or a brothel, don't own guns, are non-Amish, and it dawns on you that this is a book about the French. There's no reason for it to exist in English, except as evidence that travel need not be broadening and one should be wary of books with Tocqueville in the title."

".... every 10 pages or so, Lévy walks into a wall. About Old Glory, for example. Someone has told him about the rules for proper handling of the flag, and from these (the flag must not be allowed to touch the ground, must be disposed of by burning) he has invented an American flag fetish, a national obsession, a cult of flag worship." MYTimes

As far I can tell, Lévy is a "self-styled" philosopher and a boring writer, except to the French who treat him like a film star. It makes you wonder about the French. I have known some who are fine people; but this man makes me recall the English indictment: "France; a lovely country. Too bad about the people." Too bad their taste in writers isn't as good as their taste in food and fashion!

Good Travel Writing, Heavy Ending.......2007-03-02

This was a treadmill book for me but it probably shouldn't have been, it got pretty heavy at the end. The author is a French philosopher who travelled throughout the United States for several months, loosely following in the steps of fellow Frenchman Alexis de Tocqueville. He starts in the East and really covers a lot of ground, going all the way to California, then heading south and ending back up on the east coast.

The first part of the book reads like a politically-savvy travelogue and it's the part I liked best. I liked reading about the country from such a different perspective. Levy is struck by all the kitschy museums he finds on his travels, and he seeks out interesting political figures (Tom Daschle, Russell Means) and places (Savannah, Georgia, New Orleans) to visit and write about.

The end of the book is Levy's philosophical and political analysis of the state of the U.S. as he sees it, and whether he feels anything can be done to change the negative things that are going on here and the negative way the country is being viewed at this time. This was the part I shouldn't have read on the treadmill, a lot of it was pretty deep and over my head. Overall, I enjoyed the book and would definitely recommend the first section of it.

Intellectually Stimulating View of America.......2007-01-25

I just read American Vertigo and am overwhelmed by nostalgia and relief. Why nostalgia? It will be a while before another European writer puts together such an excellent compilation of travel vignettes about America - so well written and so full of substance. Why relief? American Vertigo is not a light read as BHL's writing style is sophisticated, sprinkled with many references, comparisons and examples. Brilliant arguments are presented and defended and the reader needs to stop, think and evaluate before moving on. It is an engaging and intellectually stimulating book, almost too engaging.

One big surprise... The book lacks observations about middle-class America. BHL interviews people from his "milieu" - Francis Fukuyama, Barak Obama, Sharon Stone, etc. and then some representatives of the opposite spectrum - a stripper, a prisoner, a daughter of a coal miner. The "core" of the country, the bulging class of entrepreneurs, professionals and other hard-working Americans is omitted. Maybe he is trying to stay away from clichés and selectively presents only the sensational... Maybe this is what an educated French audience likes to see...

Interesting Critique on U.S. Culture.......2007-01-03

This book is great as an introspective into the American Cultural Landscape. It opened my eyes on things within our culture I never thought about as being unique or different. Bernard has his own opinions on various topics and they are woven throughout the book, but I was pleasantly surprised that his opinions did not take away from the content. If you like reading about our country with a different set of eyes this book is for you. It is an easy read and one you can put down and take up again after a few days since it is written in a journal style format.

Alexis de Wannabe; Bernard-Henri Levy is no Tocqueville.(American Vertigo : Traveling America in the Footsteps of Tocqueville)(Book review) : An article from: The Weekly Standard

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thozewhocandew, thozewhokantwrite4theweeklystandard

Alexis de Wannabe; Bernard-Henri Levy is no Tocqueville.(American Vertigo : Traveling America in the Footsteps of Tocqueville)(Book review) : An article from: The Weekly Standard
Martha Bayles
Manufacturer: Thomson Gale
ProductGroup: Book
Binding: Digital
ASIN: B000FNVQUK
Release Date: 2006-05-10

Book Description

This digital document is an article from The Weekly Standard, published by Thomson Gale on April 17, 2006. The length of the article is 1657 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Alexis de Wannabe; Bernard-Henri Levy is no Tocqueville.(American Vertigo : Traveling America in the Footsteps of Tocqueville)(Book review)
Author: Martha Bayles
Publication: The Weekly Standard (Magazine/Journal)
Date: April 17, 2006
Publisher: Thomson Gale
Volume: 11 Issue: 29 Page: NA

Article Type: Book review

Distributed by Thomson Gale

Customer Reviews:

thozewhocandew, thozewhokantwrite4theweeklystandard.......2007-04-27

don't waste your time and money on ms. bayles' biased bashings. read levy and decide for yourself.

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Red Cockaded Woodpecker: Road To Recovery

Manufacturer: Hancock House Pub Ltd
ProductGroup: Book
Binding: Hardcover

Flowers | Plants | Biological Sciences | Science | Subjects | Books
General | Birdwatching | Outdoors & Nature | Subjects | Books
Reference | Outdoors & Nature | Subjects | Books
All Titles | Qualifying Textbooks - Fall 2007 | Stores | Books
ASIN: 0888395795

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Red-Cockaded Woodpecker: Road to Recovery: Symposium, Savannah, GA,
Ralph Costa
Manufacturer: Costa, Ralph and Susan J. Daniels (eds). Red-Cockaded Woodpecker: Road to Recovery: Symposium, Savannah, GA, January 2003. Blaine, WA: Hancock House, 2004. Hardcover. [8.75" X 11.25"] 744pp. Near new with slightly bumped corners.
ProductGroup: Book
Binding: Hardcover
ASIN: B000TAA6KA

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Red-Cockaded Woodpecker: Road to Recovery: Symposium, Savannah, GA,

ProductGroup: Book
Binding: Hardcover
ASIN: B000IBKI4E

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