Steel Titan : The Life of Charles M. Schwab
Average customer rating: 4 out of 5 stars
  • Well researched book on an underappreciated industrialist
Steel Titan : The Life of Charles M. Schwab
Robert Hessen
Manufacturer: University of Pittsburgh Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0822959062

Book Description

Business genius and hedonist, Charles Schwab entered the steel industry as an unskilled laborer and within twenty years advanced to the presidency of Carnegie Steel. He later became the first president of U.S. Steel and then founder of Bethlehem Steel. His was one of the most spectacular and curious success stories in an era of great industrial giants.



How did Schwab progress from day laborer to titan of industry? Why did Andrew Carnegie and J.P. Morgan select him to manage their multmillion-dollar enterprises? And how did he forfeit their confidence and lose the preseidency of U.S. Steel? Drawing upon previously undiscovered sources, Robert Hessen answers these questions in the first biography of Schwab.

Customer Reviews:

4 out of 5 stars Well researched book on an underappreciated industrialist.......2007-10-17

Excellent book to read if you are interested in one of the lesser-remembered "Robber Barons," protege of Andrew Carnegie, and really an extraordinary person. Many of Schwab's business principles would serve executives well today. I enjoyed reading it.
Steel Titan the Life of Charles M. Schwab
Average customer rating: Not rated
    Steel Titan the Life of Charles M. Schwab
    Robert Hessen
    Manufacturer: Oxford University Press, USA
    ProductGroup: Book
    Binding: Paperback
    ASIN: B000OKCD74

    Winner's: Randy Stoklos
    Average customer rating: Not rated
      Winner's: Randy Stoklos
      Arthur R. Couvillon
      Manufacturer: Information Guides
      ProductGroup: Book
      Binding: Paperback

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      ASIN: 0938329030

      Book Description

      This 60 page publication covers the volleyball career of one of the most prolific beach volleyball tournament winners in the history of the game, Randy Stoklos. The book highlights the tournament championships of Randy Stoklos and his various partners. The publication also includes many EXCEPTIONAL photo's of Randy as well as many of his partners and competitors!

      Movies of the Silent Years
      Average customer rating: 5 out of 5 stars
      • Great book on silent cinema
      Movies of the Silent Years

      Manufacturer: Orbis Publishing Limited
      ProductGroup: Book
      Binding: Hardcover

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      ASIN: 0856136417

      Customer Reviews:

      5 out of 5 stars Great book on silent cinema.......2003-04-30

      This book gives a great overview of the most well known silent films of the period. The movies that are considered true classics have their own page. It is well written and includes a bio of the most beloved stars of their era, and a complete fimography. Highly recommended for the silent movies buff.
      70 Years at the Movies from Silent Films to Today's Screen Hits
      Average customer rating: Not rated
        70 Years at the Movies from Silent Films to Today's Screen Hits
        Consultant Editor David Robinson, with 1,500 illusts Edited by Ann Lloyd
        Manufacturer: Crescent Bks, NY
        ProductGroup: Book
        Binding: Hardcover
        ASIN: B000JD2GR8
        70 Years at the Movies: From Silent Films to Today's Hits
        Average customer rating: Not rated
          70 Years at the Movies: From Silent Films to Today's Hits

          Manufacturer: Crescent Books
          ProductGroup: Book
          Binding: Hardcover
          ASIN: B000GX0TMU
          MOVIES OF THE SILENT YEARS.
          Average customer rating: Not rated
            MOVIES OF THE SILENT YEARS.

            Manufacturer: Orbis
            ProductGroup: Book
            Binding: Paperback
            ASIN: 0856139750

            Performing Rites: On the Value of Popular Music
            Average customer rating: 3.5 out of 5 stars
            • Popular music's value? As social practice.
            • From "this sounds good" to "this is good."
            • Enough!
            Performing Rites: On the Value of Popular Music
            Simon Frith
            Manufacturer: Harvard University Press
            ProductGroup: Book
            Binding: Hardcover

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            ASIN: 0674661958

            Book Description

            Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject--and discloses their place at the very center of the aesthetics that structure our culture and color our lives.

            Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of popular aesthetics on our lives. How we nod our heads or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's "for real"--these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgments but also demanding them, and shaping our understanding of what all music means.

            Customer Reviews:

            5 out of 5 stars Popular music's value? As social practice........2005-09-22

            I am writing this review in part to augment the poor rating that this book has received due to the incompetent reviewer at the bottom of the page, but I do have a few thoughts. Yes, Simon Frith has written exhausting amounts of work on many aspects of popular music, and much of it is written for an educated audience (and therefore may not be suitable for college dropouts or barely-grads who think that it's some "kewl book about your favorite music" or something like that.)

            The other reviewer hit the nail very close to the head, I do not take issue with the review immediately below mine. What that reviewer did not mention is that this book can be read as one big reply to Theodor Adorno, who thought that pop music had no value because it was repetitive and the parts were interchangable. Frith goes to great pains to stress that the value of popular music (and here's the punchline to the subtitle) is that it facilitates discussion. The value is in the process of interpretation. It's not that your favorite song doesn't matter, but the fact that you talk about it with your friends, and that you make value judgments about music as part of the pleasure of listening matters more.

            This book probably won't help you much unless you're a graduate student in music, sociology, or media. If you do fit into one of those categories, Frith is very useful here for rounding out your Literature Review. He provides a much-needed answer to Adorno, an answer grounded in social practice. Of course citing Walter Benjamin always helps, but Benjamin works at the same high level of abstraction as Adoro and never quite gets down to earth to what people actually do with mass-reproduced cultural objects, let alone music. Frith does.

            This is my favorite book by Frith, as I happen to fall into the category above and need to cite him for exactly the reasons mentioned. What am I sick of? I am sick of textual analysis of rock lyrics wherein academics attempt to read "gender" and "race" and other tired sociological categories into songs, all the while prattling about how the song "constructs" gender, or better yet "constructs a space for the negotiation" of gender. That cultural studies crud-language buys you nothing, sociologically speaking. It's just another person's interpretation unless there is empirical research to back it up. In many cases, too, such language is a way of taking a long time to not say what you're afraid to just come out and say--or better yet, maybe you don't even know what you're trying to say. Frith is guilty of excessive interpretation in his book, "On Record"--though even there he's never as dense and obfuscatory as say, Jody Berland or (gasp!) Celia Lury, queen of the 30-clause conclusion sentence. But here, in _Performing Rites_, there is no need to use such language, and in fact, _Performing Rites_ serves as an argument against any one person's interpretation as being the be-all end-all of meaning (even if that person has a Ph.D.). The value in music is not in finding some predermined meaning, but rather in every one of us trying to figure out what the song means to us. If you don't agree, go articulate a series of spaces within the hermeneutics of practice for the negotiation of abjection.

            4 out of 5 stars From "this sounds good" to "this is good.".......2004-09-24

            There is a lot to say about "Performing Rites," or rather there is a lot to say about the many different trajectories cameoed as this book progresses. It is a work that deliberately seeks to question rather than to answer, offering provocatively fertile and arguable points rather than a systemic totalizing argument.

            Keeping this in mind, the basic question Frith seeks out is: "Well, we know we make value judgments about popular music all the time. How and Why are these made?"

            That's a tall order. And Frith seeks to start from the listener's "common sense" perspective, but also incorporates production as well. Of course the first problem is the notion of "value" in cultural studies--where words like "good" and "bad" are either spoken from a condescending sneer, highly interrogated, or avoided altogether. Rather than seeing value for music in its "popularity," Frith contends that music is always already deeply woven into schemes of value--and that's why it becomes both popular and inherently political. Music has authors, intentions, narratives, and these cannot be separated from questions of value. Challenging capitalistic market measures of measuring both popularity and value (such as Billboard), Frith takes a cue from Kant, seeking to discover and refine the logic in 'common-sense' responses to music--from genre rules, to poltical distinctions between noise and sound. Frith treats rhythm at length, and challenges the notion that rhythm is 'inherently' tied to erotics, seeking instead historical and postcolonial explanations for this.

            Along the way, Frith demonstrates that much of the ninetheenth century cultural judgments and ideologies about music are still with us, albeit in mutated form. Folk, Art, and Pop are Frith's interwoven discourses about how music is perceived in Western Culture. "Folk" promises tradition, immediacy, and a critique of commercialism. "Art" promises mental and cultural transcendence. "Pop" promises access and portability. Songs are not mere texts or poetry--music gives sense and a frame for lyrics. Technology, Performance, and their meeting in the Microphoned Amplified Vocalists all play roles. Technology not only disseminates, but inseminates. Digital recordings and remasters do not uncover "the original object," but instead construct a new sound object according to changing cultural codes about music. Pop Performance involves constructing an image that gives the impression of truth and sincerity, but also offering seduction and danger as a lure. Vocalists DO play an instrument-- a microphone as well as a voice, and this alone has an enourmous impact on the meanings of music.

            All this leads Frith to argue that for the 'meaning of music.' Music means something because it offers not argumentation, but experience. For Frith, music constructs a "sense of identity" through the experiences it offers of time, sociability, and the body. Music makes possible a new-kind of self-recognition--one that through all these historical discourses places us in different 'imagined' (but no less real) communities, coherent cultural narratives. This "fusion" as Frith calls it, of bodily practice and imaginative fantasy--is the integration of aesthetics and ethics:

            From: "This sounds good."
            To: "This is good."

            That this all sounds very religious--a "fusion" of bodily ritual practice, and imaginative phantasy---should not be lost on the reader. Given the title of the book, it is certainly not lost on Frith.

            1 out of 5 stars Enough!.......2003-02-08

            I bought this book when it was first published some years back. A mistake. Frith takes a subject, pop/rock music, which offers so much joy, inspiration and pleasure then systematically removes all the fun with an over-educated academic hodge-podge of verbiage which should never have seen the light of day - let alone been put between the covers of a book. There are many books on popular music and culture which capture the rock'n'roll spirit or at least acknowledge it's existence, Frith should take his thesaurus and footnotes somewhere more suitable - maybe a study of nineteenth century novelists? Let's hope he's inflicted his last outrage on pop music.

            Small Flowers Iron-on Transfers
            Average customer rating: Not rated
              Small Flowers Iron-on Transfers

              Manufacturer: Dover Publications
              ProductGroup: Book
              Binding: Paperback

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              ASIN: 0486277801

              Book Description

              Add a charming touch to wearing apparel, cushion covers, table linen, and other domestic items with 25 easy-to-use designs perfect for crewel embroidery, fabric painting, and other crafts. Includes such familiar floral favorites as pansies, dogwood, morning glories, columbine, and many more.

              Pro C# 2005 and the .NET 2.0 Platform, Third Edition
              Average customer rating: 4 out of 5 stars
              • For serious .NET Developers
              • Comprehensive, But a Little Frustrating
              • Do your own examples
              • Great book in advanced topics
              • Good, thorough book on C#/.NET 2.o foundations
              Pro C# 2005 and the .NET 2.0 Platform, Third Edition
              Andrew Troelsen
              Manufacturer: Apress
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              ASIN: 1590594193

              Amazon.com

              Aimed at the reader with some previous programming experience, C# and the .NET Platform provides an enjoyable and well-paced tutorial for learning C# and Microsoft's new .NET Framework. This well-written guide is all you need to get onboard with the latest in Windows development.

              Today, there are a growing number of titles available for C#. This text strikes an excellent balance between a basic language tutorial with an authoritative presentation of what's new and better in .NET with coverage of the some of the inner details of the platform, including deployment. The author's patient writing style is never dull or overly technical, which will mean this book is a good choice for a wide range of readers approaching C# from a variety of languages including C++, Java, and Visual Basic.

              At certain points, the author looks at "intermediate language" (IL) bytecodes that underlie the C# language. This is particularly informative in chapters that look at assemblies and deployment. As a tour of the basics of the C# language, this book distinguishes itself with short, effective examples (many of which use a set of classes modeling cars). Coverage of programming Windows Forms is really good, as is the chapter on getting the older COM and .NET components to interoperate. The focus of this book is mostly on traditional client-side development, though it does cover the latest in Web development with sections on basic ASP.NET and Web services, which round out the book.

              The author does a good job at explaining how .NET works while bringing readers of different abilities up to speed with C#. Experts will appreciate the detail on class design, COM, and Web services, while beginners will be able to follow the author's well-organized tour of the basics. In all, this combination of strengths makes C# and the .NET Platform an attractive choice in the growing list of titles on Microsoft's latest programming language. --Richard Dragan

              Topics covered:

              Book Description

              Purchase this book and you'll get the free, fully searchable eBook--a $30 value! (Details are printed inside the book.)

              C# 2005 has changed the .NET 2.0 landscape. To name just a few improvements, C# now supports generics, partial types and nullable types when you're coding. And the Framework boasts improved speed, data access, security, and scalability.

              This book has been written to help you assimilate all this new information and realize its potential to make your coding life easier. It will keep you ahead of the curve. To make it easy for you to access this information, the book has been loosely grouped into five sections: