Customer Reviews:
i`ve been looking about thin capitalization.......1999-10-19
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Average customer rating:
- Its ALWAYS the Beautiful Ones that Let You Down
- Finally a proper, wellmade collection of the Tomie stories!
- Something beyond horror.....
- Further information
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Museum of Terror, Volume 1
Junji Ito
Manufacturer: Dark Horse
ProductGroup: Book
Binding: Paperback
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Museum of Terror, Volume 2
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Museum of Terror, Volume 3
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The Kurosagi Corpse Delivery Service, Volume 1
ASIN: 1593075421 |
Book Description
Dark Horse Comics is very proud to present Museum of Terror, a series of horror stories by Japan's foremost creator of horror manga. Full of compelling and charming characters and relationships, and featuring some of the finest comics art available, Junji Ito has seen his works translated into successful films in Japan. Ito's Uzumaki, the thrilling and grotesque manga and film, has already found success in America, and now we present "Tomie," the first story in this fantastic series. "Tomie" is the story of an eternally youthful and beautiful high school girl, whose admirers are obsessed to the point of murdering her. But to their horror, she is reincarnated over and over. "Tomie" also became a popular film in Japan, and now it launches Dark Horse's series of Ito's horrific works, Museum of Terror.
Customer Reviews:
Its ALWAYS the Beautiful Ones that Let You Down .......2007-08-10
Tomie is the object of everyone's desires. Obsession would find her attractive, and desire would covet her hand. The problem with Tomie is that she's not only beautiful but she's also cruel, becoming the proverbial barb that claws at the skin of every one of this flower's bearers. Not able to part with - or even share - her, the men (and sometimes women) in Tomie's life are drawn not only into love but also into a cycle that hopes to possess her - even to the point of killing her and not really understanding why. Sometimes this leads to some really gruesome points, with some people not only dismembering her but also grinding her to pulp or becoming stagehands in even more novel acts of morbidity. The thing about that is that Tomie doesn't really take to being dead long - killing her only gives rise to more Tomies and they are never happy with each other or the offending party involved.
If you've never seen the work that Ito does, he is masterful with horror scripts and illustrates with a macabre sense of delight as shadow and depth crawl through a world of both light and dark and make something - beautiful. Few really seem to do black and white well but Ito excels at it, putting together a portrait of strange happenstance that are sometimes amazingly bleak and sometimes just amazing. I've been a fan of his work for a while now, really enjoying the three Uzumaki books he did, and I thought that I'd actually seen everything he had to offer when The Museum of Horror bombshells went off by me.
I was stunned, to say the least.
For anyone that read the older English collections of Tomie (myself included), you only found yourself reading partial variations of a much larger story. Ito himself attempts to explain this in the back of the 1st new book, saying that the old books had been put together by grouping what the Tomie stories were about more than when they came out. This led to many a confabulated look and many an incomplete piece of work, with stories not meeting in sequential order and whole panels missing. The variety of mistakes was huge, too, and might have been somewhat funny if not for the fact that, along with the missing pieces, there were also missing stories.
When I say missing stories I mean a missing volume; when you take the 1st collection of books and hold it to the new editions you can tell that both of the original Tomie books could fit into the first book. So, the Museum of Horror books are good buys.
The 1st book is basically a sequential volume that tells tale after tale of Tomie, beginning with a really twisted story and ending with some rather twisted means. The tales included in this volume are: Tomie, Tomie Vol. 2, Basement, Photo, Kiss, Mansion, Revenge, Waterfall Basin, and Painter.
While many of these connect outright, some connect in more subtle fashions and follow characters that are, for a lack of better wording, caught in the web that is Tomie. Of these stories I found myself really liking the beginning and perhaps Kiss the most, but really just enjoying the read all the way through. I also liked the fact that this was linear as a concept this time around, giving the reader what Ito was thinking as he was thinking it. That explained a lot - and disturbed a little more.
For people who enjoy stories with twisted spines, horror that could pass both as Pulp and as terror, and works that are different in a way and beautiful in black and white then this is something for you. The first two books, all Tomie, paint a picture of something that would be, in a word, quite terrible.
With the new work almost making these new stories, they are really worth the buy.
Finally a proper, wellmade collection of the Tomie stories!.......2006-10-27
This collection includes most of the original Tomie stories, and gives a really amazing peek at Junji Ito's earlier art style. The lines are clear, and the characters are depicted in a deceptively simple and beautiful manner. But the story itself is a twisted virus-meets-vengeful ghost tale about a girl (Tomie) that never dies. More than that, she provokes the intense desire and fixation of the men she meets, which invariably ends in them murdering and mutilating her.
It's an amazing manga full of SICK STUFF and the plot and scares are very visceral; The story also hints at and vaguely throws around some gender politics (and gender violence!) in the subtext. With Tomie, Junji Ito doesn't just spin one linear tale, but a sortof MYTHOS around Tomie that unfurls with each chapter. Like, hmmmm-- is she like a parasite that encourages being killed and mutilated as a form of her own propagation? Is she more like a virus that infects and changes to suit the weaknesses of her 'hosts'?
Admittedly, it can get repetitive, but especially with the first volume, it's really effective in a big dose. The last panel of the final story in this volume is SO. SO. CREEPY. I yelped like a scared kitten and just threw the damn thing on the floor.
If you feel like you've seen Tomie around before, it's probably because the now-defunct publisher ComicsOne originally released some of Tomie in a two volume set. Yeah, previous to the Museum of Terror edition, the Tomie comics were VERY out of print, and cost a ridiculous amount to track down secondhand. Like a lot of ComicsOne editions, their printing of Tomie was shoddily translated, edited and the visual touch-up (signs in English, sound effects) were really awful. The company basically (as the rumor goes) packed up shop, stopped paying their bills and disappeared. The pieces and rights were later acquired by DR.Master and some of their more successful stuff got assimilated into the new company's catalogue.
As for the second volume: The SECOND volume is also entirely Tomie stories, but it's mostly previously unpublished stories from when Junji Ito revisited the character in 1999 & 2000. You can feel him really escalating the limits of the Tomie 'mythos' here, with the depravity hitting really nasty levels... Making SAKE out of Tomie's mashed up flesh? Slashing her face over and over with a RAZOR? It gets ugly, but I found it really fascinating to see him draw these stories in his later style-- the more detailed, shakier line style he explored in Uzumaki and his newer comics. I am ready for a new subject after hundreds of pages (and more than a dozen variations) on the Tomie tale, but it's pretty sweet to have the entire story in 2 hefty volumes.
As a final note note, the ordering of the stories in these two volumes reflect Junji Ito's own choice of how he wanted the chapters to be presented, as another reviewer has noted.
Something beyond horror............2006-08-20
One has to wonder after reading anything created by the brilliant mind of Junji Ito just how stable that mind really is. Having been turned on to his work first through his Uzumaki series (which by the way is a fully engrossing and rewarding read) I was only too happy to by chance stumble into this, the first book in Dark Horse's Museum of Terror series.
Within these pages lurks the story of Tomie, a high school aged girl whose striking beauty is only matched by her vanity and lust for attention. The horror begins after Tomie is brutally murdered and dismembered when, only a few short days later, she suddenly reappears at school acting as though nothing had happened. What starts as a macabre mystery gradually descends into something much more gruesome as the chapters progress, and the secrets of Tomie's strange character are revealed. Many of the chapters have very little to do with each other save for Tomie's relentless reoccurrence, and you can almost guarrentee that, 4 times out of 5, you'll see her die (usually a more hideous death than the one before), regenerate, and come back again to torture all those whom she comes across.
Apart from the complexity of the stories as well as that of Tomie's sinister character herself, it is also a treat to see how Ito's illustrations evolve as he develops his own signature style. This development seems almost charted by Tomie's own physical transformation throughout the book. She evolves as Ito's illustrations do so that, by the final chapter, we are able to see Tomie in the way that Ito wants us to see her; as a hauntingly beautiful young woman.
Over all, it became clear to me after reading Museum of Terror that it is not just Ito's objective to write good horror; Ito it seems has striven to break our stereotypical assertions as to what the horror genre is. In fact, he's done something nearly unheard of. He's taken the blood-and-gore factor and made it genuinely scary again.
Further information.......2006-08-17
For those who are curious -- and I know there are a number -- yes, this and the following volume contain all of the stories in the earlier Comics One editions. The differences are pretty substantial, however -- even down to structure.
This is the first complete, in-sequence publishing of Tomie in English, including chapters not previously published and setting the chapters in chronological order. Beyond the substance of the book, the new volume is a marked increase in quality of printing, localization, formatting, and layout. It just feels like a professional package. Thick, too.
Also to note, as this doesn't seem common knowledge, these "Museum of Terror" books aren't merely reprintings of the earlier Comics One volumes; rather, they're direct localizations of a recent Japanese series of the same name, that aims to collect Junji Ito's entire body of work (as printed in Monthly Halloween), in order, for posterity. At the moment Dark Horse has picked up the first three volumes, including all of Tomie and a few years' worth of one-off stories (only one of which, I believe, has been released here). Presumably if people show enough interest, they'll continue the series and bring over the rest of Ito's work.
So! If you want a complete high-quality numbered set of Ito's work, this is the place to begin. If you're content with the Comics One editions, that's fine -- though know that you're missing a bunch of material. If you're new to Junji Ito, again, no better place to start than the beginning.
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The Lunatic Guide to the David Letterman Show
Bradford P. Keeney
Manufacturer: Station Hill Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0882681885 |
Customer Reviews:
Terrible.......1999-10-28
I bought this book in a bargain bin for a dollar and I wish I could get my money back. This book has absolutley nothing to do with the show, it looks like it was written in about a half hour. It's very lame but not in a funny way, a way that makes you feel sad.
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Set Pieces: Being About Film Stills Mostly
Daniel Meadows
Manufacturer: British Film Inst
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Binding: Hardcover
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ASIN: 0851703895 |
Amazon.com
Mark Seltzer is a professor of English at Cornell University who has previously explored, in his book Bodies and Machines, the notion of a technological society as one in which processes of "registration, recording, and reproduction" break down distinctions between individual and mass, private and public. In Serial Killers, he argues that this "machine culture" constitutes a "pathological public sphere" that sets up the serial killer as an icon of our "wound culture"--a public not only enthralled by, but addicted to, murder and mayhem. The Washington Post writes of this book: "Drawing with equal dexterity on sources ranging from gay pulp novelist Dennis Cooper to French philosopher Jacques Lacan, Seltzer sees the serial killer as a sort of performance artist around whom we gather in an unhealthy attempt to exorcise our own demons."
Also recommended: Of Men and Monsters: Jeffrey Dahmer and the Construction of the Serial Killer by Richard Tithecott
Book Description
In this provocative cultural study, the serial killer emerges as a central figure in what Mark Seltzer calls 'America's wound culture'. From the traumas displayed by talk show guests and political candidates, to the violent entertainment of Crash or The Alienist, to the latest terrible report of mass murder, we are surrounded by the accident from which we cannot avert our eyes. Bringing depth and shadow to our collective portrait of what a serial killer must be, Mark Seltzer draws upon popular sources, scholarly analyses, and the language of psychoanalysis to explore the genesis of this uniquely modern phenomenon. Revealed is a fascination with machines and technological reproduction, with the singular and the mass, with definitions of self, other, and intimacy. What emerges is a disturbing picture of how contemporary culture is haunted by technology and the instability of identity.
Customer Reviews:
Reader from New Jersey.......2003-07-02
Mark Seltzer's fascinating book is not for the faithhearted. It is not an easy read, but it is therefore also not to be dismissed (as some reviewers here seem to do).
Seltzer's mind is quite keen. He is a penetrating reader of texts and culture. And he sees relationships where others might see separate phenomena. In many ways building on his previous book about machine culture in America and its relationship to various texts (_Bodies and Machines_), Seltzer here probes the interaction between serial violence in real life and in novels and film. Among other things, he maps the generative influence of the one upon the other, and vice versa.
This book will probably appeal more to scholars and graduate students than to a general readership, for along the way Seltzer does draw on various critical theorists, whom those uninitiated into the world of theory will no doubt find obscure. A recommendation for them might be a book by Seltzer's former colleague at Cornell, Jonathan Culler, _Literary Theory: A Very Short Introduction_.
If, however, you are not searching for beach reading, but rather a serious, challenging, and often macabre, look at the ways in which our society is obsessed with violence, this is a book that will repay your close and sustained attention. Moreover, it will probably, like Seltzer's other work, rub off on you in some way and help you read texts -- and culture -- with a more critical eye.
Insubstantial..........2003-03-10
This is the worst example of cultural studies. The book is full of vague, insubstantiated claims, tenuous theoretical and historical connections, sweeping generalizations, and marred by a fatal lack of basic organization. Cultural studies doesn't have to be this simplistic and thin. Each chapter reads like a series of promises ("I will deal with this issue later in this chapter") that remain unfulfilled, as though the writer couldn't actually deliver on the task of real analysis, but can only give vague and hollow summary. Avoid it.
good work, but the author is missing some pertinent aspects.......1999-01-24
Curiously missing from this text is a discussion of the fiction of Poppy Z. Brite--particularly her novel Exquisite Corpse. This novel,strangely enough,prefigures the Andrew Cunanan(I hope I'm spelling his last name correctly)murder spree. Also, Seltzer shows no evidence of having read the work of intellectual historian Louis Kern. His essay on the splatterpunk phenomenon would have been useful to Seltzer's arguments.
Too much cultural studies.......1998-10-23
I disagree with the other reviewer who praised this book for, among other things, its historical accuracy. This book has no claims to contribute to historical studies at all. It is a work in cultural studies, and shows all of the characteristics of that genre - obscure language, complex theories, loose historical claims, and a confusion between fictional and non-fictional sources. Obviously the analysis of fiction and non-fiction, together, is essential to the argument of the author, but as no attempt at historical or even literary context is attempted, one is left with a series of under-argued observations.
Book Description
He's been working at this (CSLA - Component-based Scalable Logical Architecture) since VB 6 and this is his very latest, customized for Visual Basic!
— Dan Mabbutt, Visual Basic Guide, About.com
Rockford Lhotka started writing his Business Objects books in 1996, and over the years, he's become one of the world's foremost authorities on building distributed object-oriented systems. The second edition of his industry-standard VB .NET Business Objects book not only addresses changes in .NET 2.0 and Visual Studio 2005, but also reflects substantial enhancements and improvements to the CSLA .NET Framework and how it can be used to create enterprise-level .NET applications.
Expert VB 2005 Business Objects takes you from an opening discussion of logical architectures to detailed n-tier deployment options using the CSLA .NET Framework. Rockford provides enough understanding and detail for you to take this approach to your own projects, as many developers have already done.
Rockford travels the world discussing his ideas with other developers at professional conferences and local user groups, but you can benefit from his expertise anytime with this book. There are many solutions to developing distributed applications; why not learn about them from an expert with a universally accepted and respected framework?
Customer Reviews:
Poor writing style.......2007-08-23
This book seemed to jump around too much and did not flow with what he was talking about. Also, there are not really any good examples until the last couple chapters so it is difficult to follow what the auther is trying to get across.
grammar.......2007-03-11
I think the book means well, but it needs a lot of editting. The problem? Bad grammar. I'll make up an example of bad grammar: Horses eat apples from trees so that their population can grow. Which population? Apples? Trees? Horses? Two of three? All of them? This type of poor grammar exists so much with this author.
Muy buen libro.......2007-03-08
Muy buen libro avanzado sobre el manejo de arquitecturas, le dedica bastante a la teoria. A mi criterio le faltaria mas ejemplos, pero sin lugar a duda es una lectura obligada para quien apunte a realizar aplicaciones escalables.
The best book I've read this year.......2006-10-28
If you are looking for a great deal of practical advice and a working sample on how to build a framework for your application I think you will get a great deal out of this book & the CSLA framework that it explains. I was really pleased with how this framework solves many of the problems that our company wants to solve in our new software design. Having read several articles and "patterns and practices" papers I still had more questions than answers until I read this book. I finally feel like I'm confident enough in a framework that our company can begin writing our new version.
Book Description
From the dawn of aviation until the end of World War II--the "golden age" of flight--these 300 influential multi-wing aircraft ruled the skies. Among the classics of the pioneering years and beyond: the Sopwith Camel, the Red Baron's Fokker Triplane, the Fairey Swordfish, and the Consolidated Catalina, as well as popular civil aircraft like the Tiger Moth and Supermarine S.5.
Book Description
This classic account shows how the fall of Constantinople in May 1453, after a siege of several weeks, came as a bitter shock to Western Christendom. The cityâs plight had been neglected, and negligible help was sent in this crisis. To the Turks, victory not only brought a new imperial capital, but guaranteed that their empire would last. To the Greeks, the conquest meant the end of the civilisation of Byzantium, and led to the exodus of scholars stimulating the tremendous expansion of Greek studies in the European Renaissance.
Customer Reviews:
Solid history with storytelling flair.......2007-07-24
Sir Steven Runciman had an unique talent for conveying historical information with a flair. He did not convey history as a collection of unrelated facts to dates but instead provided all the color and nuances behind those facts and dates which gave them life. Only a few historians write in a way that transports the reader to the subject time, place, and people the way Sir Runciman has in this little volume.
The book is organized by describing the background and focusing on the last Emperor and Sultan Mehmet II as the key individuals in that background. It continues with a description of the weaknesses that prevented the west from providing efficacious help to Constantinople. Attention then turns to the siege and fall followed by an overview of the exodus of learned Byzantines to the west which helped to spark the renaissance.
A map of Constantinople and a pictorial depiction of the disposition of troops during the siege provides some detail for context. I would have liked more maps of the other geographical areas mentioned to provide the greater world context and that is my single critical point on this volume.
That so much information could be conveyed in so few pages with such brilliant flair is testament to his reputation. This is still the definitive work on the last years of Constantinople and the final fall of the Byzantine empire. It is a must have for ancient history libraries and a must read for historians wishing to communicate historical lessons in writing.
Amazing for any history buff and more.......2007-05-08
Runciman is academic yet lively, a rare combination that makes for a serious historical book that reads like a page-turning thriller/drama. Of course he is helped by the facts themselves. The story of the fall of Constantinople is one of those events in history that sounds like it was made up, because it is so picturesque. There are brooding Sultans, brothers strangling each other in competing for the throne, siege warfare, religious upheaval, dramatic sea battles, betrayal, the almost improbably anachronistic use of cannons and more.
The only fault I could find in the book is that sometimes he repeats himself in mentioning the same event in 2 chapters, each time in relation to a slightly different aspect of the story. But this he only does 5-6 times, everything else is great. He successfully builds up tension and is great at communicating the pathos of the events. The fall was seen as the end of a great civilisation stretching back thousands of years to ancient Rome. Reading the book you really feel the momentous nature of the events.
Runciman doesn't seem to like Mehmet II (the conquerer). I don't know enough of the history to tell if it's bias or whether he really was unusually cruel and despotic. I'm inclined toward the latter, for the facts speak for themselves. If other rulers of his day were similar (which they were!) this doesn't make him any more sympathetic.
This is a true classic of history. It's a real shame how unaware modern people are of Byzantium because our society is much more indebted to that civilisation than we think. This book is a sorely needed patch in this gap of knowledge.
A sublime account of the demise of the "Greek emperor" and the fall of his city.......2006-08-02
Exceedingly well written and utterly fascinating, Sir James Stevenson Runciman's classic account of the siege and fall of Constantinople manages to be thoroughly academically sound and highly entertaining at the same time. Steven Runciman doesn't just deliver the dry facts, which would be alright, no, he tells the story, which is much better. And he does it without forefeiting historical accuracy, and, blessedly, without drawing any politically motivated parallels to "modern" conflicts, be they religious, or political, or both.
This is one of the finest historical accounts I have ever read, and I recommend it 100%. It may be over 40 years old, but it is still unrivalled, the single greatest work on the subject in the English language.
strongly recommended.......2006-02-20
I strongly suggest to buy and read this book to all people interested in history in general.
I am a fan of history books, and I provilege high readable, well documented and general-picture-introducing books. This book satisfies all these criteria: it gives a full explanation of the context before and after the Empire's collapse, it is enjoyable to read, and it is well-grounded on the reports by witnesses from both parties (turks and christians).
This is my first book by Runciman, and I bet will not be the last.
Probably very good.......2006-02-02
I have not yet received this book from Amazon, so it is a little difficult to say what it is like. But I am sure it will be at least very good. Runciman is an excellent author.
Amazon.com
"When a Scythian overthrows his first enemy," Herodotus tells us, "he drinks his blood; and presents the king with the heads of the enemies he has killed in battle; for if he brings a head, he shares the booty that they take, but not if he does not bring one. He skins it in the following manner...." Well, OK, perhaps we don't need to revisit that part of the classics just now. But if you have a hankering for ancient and early-medieval history, Chronicles of the Barbarians will take you straight to the source. Among the other Greek and Roman authors cited in this anthology are Livy, Polybius, Tacitus, and Julius Caesar; later sections provide eyewitness glimpses of Genghis Khan ("in the subjugation of his foes his rigour and severity had the taste of poison") and Tamerlane (who "loved bold and brave soldiers, by whose aid opened the locks of terror and tore in pieces men like lions and through them and their battles overturned the heights of mountains"). One caveat: Edward Gibbon's passages on the death of Alaric and the Vandal attack on Rome are very eloquent, but they are, properly speaking, out of place in a collection of firsthand reports. --Ron Hogan
Book Description
The greatest superheroes face their greatest threat.
• Explosive fighting tips customized for each character's superpowers
• Smashing strategies for using the destructible environments to your advantage
• Heroic tactics guide you through all seven levels of Story Mode
• Reveals special moves, juggles, and critical hits for all characters
• Maps, hazards, weapons, and strategies for each arena
Customer Reviews:
Romantic Writing........2006-01-09
Well Written, detailed, told with a little tongue in cheek empathy for the various peoples that were called barbarians. Yet,the author at times seems to ridicule the very authors he so often quotes. Since the barbarians did'nt choose to write their own histories, does not mean that their enemies who they attacked were lying in their descriptions." Indeed, numerous archaeological finds far often than not prove the Classical records to be true." Most scholars use to snicker at the very idea that the Amazons existed, they were proven wrong!
Daddy like.......2003-02-03
This book is awesome. There is nothing like getting history straight from the sources especially when that history is about peoples who were at best semi-literate. The sources used in this book are varied and impressive from Herodotus to Doukas with a lot of famous and not so famous guys in between. It is also interesting to learn what the "civilized" people thought of the "barbarians". Anyone interested in ancient or medieval history, and likes a few crazy barbarians this book is for you.
Book Description
The Art of Renaissance Warfare tells the story of the knight during the fourteenth and fifteenth centuries - from the great victories of Edward III and the Black Prince to the fall of Richard III on Bosworth Field. During this period, new technology on the battlefield posed deadly challenges for the mounted warrior; but they also stimulated change, and the knight moved with the times. Having survived the longbow devastation at Crecy, Poitiers and Agincourt, he emerged triumphant, his armor lighter and more effective, and his military skills indispensable. This was the great age of the orders of chivalry and the freemasonry of arms that bound together comrades and adversaries in a tight international military caste. Such men as Bertrand du Guesclin and Sir John Chandos loom large in the pages of this book - bold leaders and brave warriors, imbued with these traditions of chivalry and knighthood. How their heroic endeavors and the knightly code of conduct could be reconciled with the indiscriminate carnage of the 'chevauchee' and the depradations of the 'free companies' is one of the principal themes of this book.
Customer Reviews:
Great Book.......2006-05-22
I thought that this was truly an interesting book... bought it for a research paper about the fall of Constantinople and expected it to be one of those generic, list-of-what-happened type history books, but it turned out to be very well written and anything BUT a generic book. I personally am interested in late medieval/early Renaissance warfare, so I found this book especially interesting, but I recommend it to anyone!
Book Description
A popular history of the nost entertaining and timely variety from Japan's addictive grand dame of letters.
Customer Reviews:
Simplistic.......2007-05-11
This book, and it's 2 companion volumes, are very simplistic accounts of pivotal moments in renaissance mediterrean history.
As history they are very limited. There are no notes, no bibliographies, no idexes and very limited maps.
Worse, for books purporting to be history, their writing style is juvenile and contrived, more suited to maybe a sixth grade class room than adult history. The books are marred by made up conversations and situations, to perhaps illustrate history, but certainly nothing that was found in whatever research the author might have done.
I can't really see how this writer is the most loved historian in Japan, based on these books. Perhaps the translator has simplified the language and ideas, who knows.
So, if you have a grade school or junior high child who wanted an introduction to these events, they might be useful, but for adult reading they should be bypassed.
All in all, very disappointing efforts for someone who claims to be a historian.
Book Description
Byzantium was the last bastion of the Roman Empire following the fall of the Western Roman Empire. It fought for survival for eight centuries until, in the mid-15th century, the emperor Constantine XI ruled just a handful of whittled down territories, an empire in name and tradition only.
This lavishly illustrated book chronicles the history of Byzantium, the evolution of the defenses of Constantinople and the epic siege of the city, which saw a force of 80,000 men repelled by a small group of determined defenders until the Turks smashed the city's protective walls with artillery. Regarded by some as the tragic end of the Roman Empire, and by others as the belated suppression of an aging relic by an ambitious young state, the impact of the capitulation of the city resonated through the centuries and heralded the rapid rise of the Islamic Ottoman Empire.
Customer Reviews:
It's a powerful survey not to be missed........2007-07-07
D. Nicolle, J. Haldon and S. Turnbull's THE FALL OF CONSTANTINOPLE: THE OTTOMAN CONQUEST OF BYZANTIUM is a pick for any collection strong in early history, particular of the Roman Empire era. It follows the fall of the Roman Empire in general and Byzantium's eight-century struggle for survival. Constantine's powerful central city and its amazing wall system fell to the Turks during a massive siege train against the city, which held out for four months until Turkish artillery succeeded in destroying it. It's a powerful survey not to be missed.
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The Byzantine Tradition After the Fall of Constantinople
Manufacturer: University Press of Virginia
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Binding: Hardcover
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ASIN: 0813913292 |
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The Fall of Constantinople (Pivotal Moments in History)
Ruth Tenzer Feldman
Manufacturer: Twenty-First Century Books (CT)
ProductGroup: Book
Binding: Library Binding
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ASIN: 0822559188 |
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Special Relativity: A First Encounter: 100 Years since Einstein
Domenico Giulini
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover
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Relativity
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ASIN: 0198567464 |
Book Description
Special relativity provides the foundations of our knowledge of space and time. Without it, our understanding of the world, and its place in the universe, would be unthinkable. This book gives a concise, elementary, yet exceptionally modern, introduction to special relativity. It is a gentle yet serious 'first encounter', in that it conveys a true understanding rather than purely reports the basic facts. Only very elementary mathematical knowledge is needed to master it (basic high-school maths), yet it will leave the reader with a sound understanding of the subject. Special Relativity: A First Encounter starts with a broad historical introduction and motivation of the basic notions. The central chapters are dedicated to special relativity, mainly following Einstein's historical route. Later chapters turn to various applications in all parts of physics and everyday life. Unlike other books on the subject, the current status of the experimental foundations of special relativity is accurately reported and the experiments explained. This book will appeal to anyone wanting a introduction to the subject, as well as being background reading for students beginning a course in physics.
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- Wilderness life, family style
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A Wilder Life : Essays from Home
Ken Wright
Manufacturer: Kivak I Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 1882308158 |
Book Description
"A Wilder Life" explores what it means to live immersed in family, community, and landscape. It is a book written from and to a generation for whom "family values" has become a political term, "environmentalism" has become a dirty word, "community" is a marketing concept, and "wilderness" is becoming a history topic. Author Ken Wright delves into the vital components of being human, living a truly meaningful life, and standing up for life and land.
Customer Reviews:
Wilderness life, family style.......2002-12-10
There are lots of books advocating a low-tech life in touch with nature; books with hilarious tales of everyday life (a la Dave Berry); books about hiking with your kids; and books about individuals finding a "sense of place" where they live. This book brings them all together, and more.
How does one live a "wilder life" that doesn't mean drinking all night or constantly bagging 14,000 peaks (but sometimes does ;))? By following Wright's trevails. Often life is presented as making choices between having fun, having a family, getting outside alot, holding on to your "childish" ways and dreams, and making a living. This book helps you find your way to all these things. It does mean making your living, living, at the expense of amassing large material gains, but with probably enough to do what you actually want to do.
If this is all the book did, it would still probably fail however. But it is not a philisophical treatise. Far from it, the book's ideas are carried by Wright's stingingly funny stories of a "wilder life." One recounts a rafting trip with his toddler in a portable crib strapped to the raft (no need to call Child Services- it was flat water). One of my favorites is about "drinking and driving"- that's not driving drunk, but rather winding down a backcountry jeep road sipping on a cold malted beverage and taking in all life has to offer. I don't write funny, so you'll have to take my word for it.
If you like the ideas, geographic location, and writing style of Edward Abbey (who appears to be a major spirit guide for Wright), you will like this book.
Books:
- Corporate Taxes 2002-2003: Worldwide Summaries (Worldwide Summaries. Corporate Taxes)
- Cross-Border Transactions Between Related Companies:A Summary of Tax Rules
- Double Taxation Relief for Shipping
- Economic Perspectives on State Taxation of Multijurisdictional Corporations
- Efficient Transport Taxes and Charges
- Energy Prices and Taxes: Third Quarter 1994 (Iea Statistics)
- Environmental Tax Handbook: Strategies for Compliance
- Estates, Taxes and Professional Ethics: Papers of the International Academy of Estate and Trust Laws 2002 (International Academy of Estate and Trust Law Yearbook)
- European Cooperation Between Tax, Customs and Judicial Authorities (European Monographs, Volume 32)
- Failure in British Government: The Politics of the Poll Tax
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